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Your visual language already exists. It lives in the marks you make without thinking, the shapes you return to, the colors that satisfy you and the ones that don't. Inside you’ll find three practices: one for working from what appears, one for developing images from memory and imagination, and one for entering into dialogue with what you've made.
Your visual language already exists. It lives in the marks you make without thinking, the shapes you return to, the colors that satisfy you and the ones that don't. Inside you’ll find three practices: one for working from what appears, one for developing images from memory and imagination, and one for entering into dialogue with what you've made.